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REQUIREMENTS - CURRICULUM - COURSES - MASTER CLASSES - TUITION & FEES - FACILITIES & LOCATION


Drawing

Painting

SCULPTURE

Artistic Anatomy

Printmaking

Composition and Design,
History of Technique

Visual Culture

Electives,
Independent Study,
Professional Practices

Diploma Project

 


COURSE DESCRIPTIONS

Sculpture

Sculpture I
S101
This course addresses the challenges of sculpting the human figure from observation. The uses of linear and volumetric proportion systems and architectonic construction are stressed. There is extensive instruction in technical procedures critical to hand modeling. While emphasis in this course is on analytical seeing/interpreting, self-directed work plays a significant role. By providing a classroom structure for the review of independent work, the course creates a vital dialogue between the method of perceptual figure modeling and the myriad intentions of the artist. Students are encouraged to cast their work or in some cases they may be fired at a nearby kiln.
3 credits.

Sculpture II
S201
This course further develops the analytical skills addressed in Sculpture I. Additional challenges include an increase in scale, more nuanced understanding of forms within larger volumes, and more exacting description of gesture.
3 credits.

Sculpture III
S301
Problems of composing figure groupings in relief and in the round are addressed in this course. The relationship between idea and expression through plastic means is discussed in connection with narrative compositions. The analytical skills developed in Sculpture I & II are applied to the conceptual knowledge of the figure gained from the anatomy sequence. This course provides a critical forum for the various problems faced by sculpture students at the early stages of their Diploma Project.
3 credits.

Sculpture IV
S401
The instructor presents advanced problems in figurative composition and theory. One of the primary concerns of the course is the creative conversion of empirical information into sculptural language. This approach to form development will demand an awareness of art historical models and anatomical principles. In addition, the instructor will introduce specific problems to interface with the development of the Diploma Project. Included is the casting of a large piece. Sculpture IV serves as a laboratory for advanced visual research in sculpture, mirroring the concurrent process of the Diploma Project.
3 credits.

 



       

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